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The Sights and Voices of Dispossession: The Fight for the Land and the Emerging Culture of the MST (The Movement of the Landless Rural Workers of Brazil)

Language:

English (mude para Português)

This page:

Cultural categories by media type: The media specificity of landless cultural expression.

Cultural category:

 Culture: Rehabilitation of traditions and country culture

  5 resources

Media type:

 Sculpture

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This resource is also listed in:

Sculpture
Culture: Icons, symbols, and monuments

Author:

Photo by Malcolm McNee. Reproduced by permission.

Title:

State delegations display handicrafts and homemade foods produced in their MST communities, National Week of Brazilian Culture and Agrarian Reform, Rio de Janeiro, 2002. The booth representing the central-western state of Mato Grosso featured woodcarvings of the fauna of the Pantanal, a vast region of swamps with a diversity of wildlife even greater than that of the Amazon

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Sculpture : Edited by Malcolm McNee. Translation © Else R P Vieira.

Date:

November 2002

Resource ID:

PHOTOAAA556

Painting and Sculpture
Individual artists portray the dignity and hopes of the Landless, helping to re-signify the term from a negative -- those without the means of production and social reproduction -- into a positive. Paintings and sculptures also draw upon and further invest with meaning symbols of the collective history and aspirations of the MST: tools, the fence, the movement's flag; the land, both as barren and divided and as lush and accommodating human habitation.
Else R P Vieira

See also: The Plastic Arts in the MST: Beauty as a Human Right

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Project Director & Academic Editor: Else R P Vieira
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Web Site created: January 2003
Last updated: July 5th 2016

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